The Story of Taps
Compiled by Lt. Colonel Lewis Kirkpatrick, AUS (Ret.)
ROA Department of Europe editor;
Reserve Officers Association "The Officer" magazine, May 1998 issue.
Atlantic News, Thursday, November 5, 1998
(Editor's Note: Information in this article was provided by Lt. Colonel Lewis Kirkpatrick, AUS (Ret.), ROA Department of Europe editor; contained in the Reserve Officers Association "The Officer" magazine, May 1998 issue.)
It all began in 1862, during the Civil War, when Union Army Captain Robert Ellicombe was with his men near Harrison's Landing in Virginia. The Confederate Army was on the other side of the narrow strip of land. During the night, Captain Ellicombe heard the moan of a soldier who lay mortally wounded on the field.
Not knowing if it was a Union or Confederate soldier, the captain decided to risk his life and bring the stricken man back for medical attention. Crawling on his stomach through the gunfire, the captain reached the stricken soldier and began pulling him toward his encampment. When the captain finally reached his own lines, he discovered it was actually a Confederate soldier, but the soldier was dead.
The captain lit a lantern. Suddenly he caught his breath and went numb with shock. In the dim light, he saw the face of the soldier. It was his own son. The boy had been studying music in the South when the war broke out. Without telling his father, he enlisted in the Confederate Army.
The following morning, the heart-broken father asked for the permission of his superiors to give his son a full military burial despite his enemy status. His request was partially granted. The captain had asked if he could have a group of Army band members play a funeral dirge at the funeral. That request was turned down, since the soldier was a Confederate.
Out of respect for the father, they did say they could give him only one musician. The captain chose a bugler. He asked the bugler to play a series of musical notes he found on a piece of paper in the pocket of the dead youth's uniform.
The wish was granted. This music was the haunting melody we now know as "Taps" used at military funerals.